1980 was to mark a great turning point for me as an artist. It seemed like the 'Fusion Era' had come to an end and I was really very discouraged with the way I was playing and sounding. Put these factors together with the news that Columbia records was not going to renew my option for a fourth recording....well, it was pretty devastating at the time. I suppose this recording would have never happened had it not been for three very good friends and
consistent supporters: pianist, Warren Bernhardt(my next-door
neighbor); engineer, Doug Epstein; and A&R man, Steve Backer.
Warren had been listening to me crafting a collage of Monk
tunes for months and encouraged me to record them. As he
was urging me, fate brought a phone call from Doug(who did
engineering in various degrees on all three Columbia recordings
at Mediasound) asking me if I had anything in mind recording-wise,
and that he could probably get us a 'deal' at the studio.
This was to be my first totally acoustic guitar recording
since "TWO FOR THE ROAD" (duets with Larry Coryell). And
thus began my first adventure in paying for a recording
out of my own pocket. It was a pretty scary proposition.
It still is a scary thing to do! We completed the recording
over a few weekends, and then I attempted to shop the project
around. Lucky for me, Steve Backer was launching a new label
of his own, Arista/Novus (which released recordings by:
John Scofield; Warren Bernhardt; Air; Anthony Braxton; Cecil
Taylor and many other artists), and he picked-up "EVIDENCE"....and,
even reimbursed me the entire $6,000 spent in production
costs. To this day, it's the only time that this has happened.
Because of the LP format, remember, it has two sides? I
decided that one side would feature five pieces by some
of my favorite jazz composers done as ballads, and Side
2 would be the 9-song medley of Thelonious Monk tunes. Highlights
remain: Joe Zawinul's "In a Silent Way" and, of course,
the "Monk Medley."
Graphic: from a Folon "Guitar" aquatint etching
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