Welcome to the home page of guitarist Steve Khan!
NOW AVAILABLE!!! "SUBTEXT" is the title of Steve's forthcoming recording, and again, there is a subtitle in Spanish, "Subtexto en Azul." On the album, Steve continues his explorations of the wondrous traditions of Latin music, and this time, the core group features: Rubén Rodríguez(El. Bass & Baby Bass), Bobby Allende(Conga), Marc Quiñones(Timbal), and Dennis Chambers(Drums). At varying moments, they are joined by some great musicians, dear friends, as guest artists, including: Rob Mounsey(Keys & Orchestrations); Randy Brecker(Flügelhorn); Gil Goldstein(Accordion); and Mariana Ingold(Vocals). In all, they perform Steve's arrangements of compositions by: Ornette Coleman, "Bird Food"; Freddie Hubbard, "Baraka Sasa"; Wayne Shorter, "Infant Eyes"; Greg Osby, "Heard"; Thelonious Monk, "Hackensack"; and the gorgeous ballad, "Never Let Me Go"(Livingston-Evans). All this, plus 2 originals from Steve, and, a Cumbia driven Vallenato epic collaboration between Steve and Mariana Ingold.
Once again, the music was recorded by James Farber at Avatar Studios during January 29th-30th, 2014. Michel Granger's beautiful image graces the cover, and contributes its own particular "subtext."
Again, 55 Records(Japan); ESC Records(Germany/Europe) and Tone Center Records(USA) will form this important part of the team. 55 Records released the album on May 21st, and it's safe to say that ESC Records released it on May 30th. The U.S. release just happened on June 24th. If you enjoyed "PARTING SHOT," you will surely love this new one!!!
A note from the Webmaster: Check out KHAN'S KORNER 1 which now has 79 hand-written solo transcriptions. Classic solos by: Miles Davis, Jim Hall, Grant Green, Wes Montgomery, Freddie Hubbard, Michael Brecker, Stanley Turrentine, Herbie Hancock, Clare Fischer, Pat Martino, Kenny Burrell, Paul Desmond, George Benson, George Coleman, Steve Grossman, John Scofield, Gabor Szabo and Robben Ford, plus corresponding mp3s.
For August 2014, we now offer Steve's solo on Thelonious Monk's classic, "Hackensack" also from the current album, SUBTEXT(Tone Center). A favorite with radio programmers and fans alike, the solo is a wonderful example of how the great piano artists have influenced Steve's approach to the guitar. This is especially evident in all the very creative chordal passages. Don't miss this great opportunity for study!!!
For July, we presented Steve's solo on "Bait and Switch" which appears on the current album, SUBTEXT(Tone Center). As there are not many avenues for small artists to pursue, when one is offered an interview in a jazz or guitar magazine, it becomes important to maximize the opportunity to communicate with fans, old and new. The series of solo transcriptions that will be offered at the pages of KORNER 1 were all born of such circumstances. Hopefully, everyone will enjoy what is offered here now.
With the passing of Nelson Mandela, a friend reminded me of my appearance on the title song from Michael Franks' 1987 album, THE CAMERA NEVER LIES(Warner Bros.), which was produced by the brilliant keyboardist, Rob Mounsey. I had forgotten how the lyrics were connected to the South African miner's strike from the mid-'80s, and yet, the struggle for freedom was still very much an issue. The YouTube video clip helped to bring back lots of memories of that song and those years. Here's hoping that some of you will enjoy the work that I did via my ESP Strat.
As February of 2013 arrived, it was with great pleasure that we offered Steve Grossman's fantastic solo on "Right Off" that appeared on the 1971 Miles Davis album, A TRIBUTE TO JACK JOHNSON(Columbia). This 3-minute plus exploration of what one can do over a static Bb7(sus) chord, when accompanied by: Herbie Hancock, John McLaughlin, Michael Henderson and Billy Cobham, gives cause for great thought and study. If you haven't heard this before, pay special attention to it now!!!
At KHAN'S KORNER 2, it's a wonderful time, June 24th, 2014, because Steve's new CD "SUBTEXT" has finally been released, and we are happy to present one of Steve's two originals from the album, "Bait and Switch." Composed as a tribute, in part, to the late, great Joe Zawinul, with whom Steve shared many stages and many miles of travel, conversations, and gin rummy, during the summer of 1986. We hope that everyone enjoys reading just how this tune was put together!!!
We celebrated of the simultaneous recent uploads to iTunes of Steve's catalog albums from the past, we are pleased to offer the last remaining composition, the title song from the "MODERN TIMES"(1982) album. This live album was the 2nd of three recordings with the original Eyewitness configuration that featured: Anthony Jackson, Steve Jordan, and Manolo Badrena. If you are or were a fan of that group, don't miss this special presentation of a newly revised lead sheet. Here's hoping that this never-ending winter of our discontent is almost finished!!!
When we arrived at September of 2013, it has been almost one full year since any was presented here. It was a most interesting cosmic accident when someone happened to send me a YouTube link for "Macbeth," which was a song that I had contributed to Mark Colby's 1979 LP, "ONE GOOD TURN." The recorded performance featured: Bob James, Gordon Johnson, Steve Gadd, and Portinho. Honestly, I hadn't heard it in years, perhaps two decades at the very least, but, as I have tried to share the lead sheets for all the original tunes, I was inspired to rewrite the lead sheets. And so, here they are, and they come to you with the hope that you will enjoy reading the analysis and the story of this particular composition.
In December of 2012, we presented the lead sheets for Steve's composition, "Rites of Darkness" which now appears on Volume 2 of the just released compilation, "MONTREUX SUMMIT" by the CBS Jazz All-Stars. Recorded live at the Montreux Jazz Festival in 1977, this performance featured Steve alongside: George Duke; Bob James; Alphonso Johnson; Billy Cobham; and Ralph MacDonald. Though the performance has many flaws, on the odd chance that a new generation of players might find the tune interesting enough to try to play and perform made this presentation seem like a reasonably good idea. Steve's analysis offers insights into everything that happened leading up to the performance and the aftermath as well.
This site created and maintained by Blaine Fallis, A Train Creative, Inc. . Graphic design Blaine and Youngsuk Fallis. Written and edited by Steve Khan. Steve Khan illustration by NED SHAW. Don't miss Ned's latest at our ONLINE GALLERY!