....and this just in to the Newsroom:
During this discourse, he sentimentally touches upon diverse topics such as: his years between 60 and 70; Barack Obama; life expectancy for baby boomers; his father and Frank Sinatra; his recordings released during the past 10 years; almost getting mugged on Broadway; one's looks; health issues; love and loss; and finally, what does his green field look like 10 years later.
No matter what the number is for any particular birthday, there is probably always good cause for some moments of great reflection. One can always ask the philosophical question: "Am I anywhere near where I expected to be by this time in my life?" How one answers that question tells us a great deal.
Recently, of all things, I was in P.C. Richard, here in New York City, trying to buy a small portable AM/FM radio, and I got into a conversation with the young clerk. At a certain point, he asked me, "What do you do?" So, rather than trying to explain that to him, I told him that I was a guitarist, and tried to point him in the direction of my website, where he could listen to some soundclips from my recordings. Because he can't access the Web from the store's computer system, he just used his handy/dandy iPhone. When he arrived at the Discography page for "SUBTEXT," I told him to scroll down, and then just "push any button" and he would hear the music. He said to me, "I don't see any buttons!" I couldn't believe it, but he was telling me the truth. When I arrived home, I phoned Blaine and described what had happened, and when he checked his own iPhone, he realized that the technologies for the iPhone, Android, Tablet, and iPad had passed our little website, and flown right on by!!! It is amazing to realize that, for the longest time, countless visitors to the site, employing their smartphones, never even knew that they could hear music soundclips at all the various pages. Now, all that has changed!
So, Blaine got in contact with the Wimpy Player website and their technical support, and we were, within a matter of days of some back-and-forth, armed with the new tools to begin to upgrade some 800 music pages at both KORNER 1 and KORNER 2. Endless days of pasting in new code, and testing everything and, believe it or not, in a little over one week, everything was ready to go!!! How about that?!?!?! We decided to go with a slightly different look for our new Wimpy Buttons, and they are now blue, as you can see, and not the original gray buttons from our past.
The final step, and I needed a long, long break after the KORNER pages had been done, was to finally, after all these years, offer soundclips for all of the songs at all of the individual DISCOGRAPHY pages. That immense task was recently completed, and now, everyone, after clicking on a recording's mini-CD cover at that page, can read my reflections about that album and, while doing so, can listen to soundclips of any of the songs! Give it a try!!!
In the end, it is our hope that now everyone can enjoy hearing the music that has always been offered here, but finally available on contemporary devices that go beyond our normal laptop and desktop computers!!! Wishing you all happy explorations at the site!!!
All 3 albums will be digitally remastered and housed on 2 CDs. Originally recorded between 1981-1983, these albums featured the seminal group of: Anthony Jackson(Bass Guitar & Contrabass Guitar), Steve Jordan(Drums) and, Manolo Badrena(Percussion & Voice), alongside Steve on guitar.
This will be the first time that "MODERN TIMES" has been available on CD outside of Japan. And, of course, as we near the end of the CD Age, this might well be the last time these fantastic recordings will be offered as CDs.
As always, the beautiful reissue cover features the original cover images of Jean-Michel Folon in a gorgeous design by Janet Perr, and you are getting your first look at it here! It was a long and difficult process to make this reissue happen, and our thanks go out to the good people at Universal Music and BGO Records for their interest, and spirit of cooperation.
It wasn't so long ago that John Kelman wrote a wonderful piece, Eyewitness Remembered, for allaboutjazz.com, and that very same piece served as an inspiration to float the idea of an Eyewitness reissue to BGO Records. Now, here we are, some months later, the reissue has been officially released and now, Kelman has penned this superb Review of the package. We hope that everyone will take a moment to read what he had to say about these recordings and the players.
If you care to, you are welcome to read them and take them with you for whatever they might be worth. Like many of my particular political, moral, ethical slant on life, I am extremely concerned about the future of the USA, and the impact that this is going to have on the rest of the civilized, and not-so-civilized world. I suppose that we can hope for better times ahead, but it is so very hard to see that right now!!! As some young people say: "Peace out!!!"
Once his election was a reality, I wrote an ESSAY which detailed my thoughts and observations. These were obviously solely my thoughts alone, and some of them might have resonated with some of you, and others might not have found them to be so agreeable. No matter what, it was the dawning of a new day, a new age, and hopefully better times ahead for everyone!!! Perhaps, dare I say it, an even better world for everyone!!!
Addendum - November 12th, 2016: With the election now a few days in the rear view mirror, we all must accept the results of what has happened, people from all sections of our nation, and the world as well, now begin to assess the 8 years of President Barack Obama. During the run-up to the election, the campaign, and since November 8th, I have been hearing, and from far more well-informed people than I, the word legacy used for this president's term in office. And, for as much as I have heard, I have not heard one single person offer what I am about to say here. And that is this....
In 2009, when Barack and Michelle Obama took over residence in the White House, the United States was at one of its lowest moments in terms of its perception by the people, the countries, and the leaders of the rest of civilized world. For the years prior to President Obama's election, I had been traveling around the world, and really, for the 1st time in my professional life as a musician, I had felt incredible hatred and resentment coming at the U.S. from wherever I traveled. Everything felt so very different, unlike any time before. It made me horribly sad, sad for all of us who, no matter what, love our country, and take great pride in being Americans, North Americans! So now, here we are, it is late 2016, and in only 71 days from now, Barack and Michelle Obama will leave the White House for the last time with their two wonderful daughters, Malia and Sasha, and I am going to miss this great, great family tremendously every day that will follow.
For me, President Obama's greatest accomplishment during his time in office was that, around the world, he restored, and elevated to new heights, the dignity of the office of the president, and the kind of respect and even love that we all would hope that our president would command and deserve. He spoke beautifully, and always in respectful, dignified and measured tones, and people, and world leaders listened. Whether or not they agreed with what was said is not necessarily the most important thing. They listened. Virtually everywhere Barack and Michelle Obama traveled, and represented us all so well, they were our Global Ambassadors of good will, and were greeted with the kind of adoration that we could only have hoped any person from the USA might receive. When they leave the White House, the Obamas will still have that, and they will always have it, because of the way that they have carried themselves, and spoke throughout these past 8 years.
When President Obama took office, he faced the daunting task of trying to correct the mess that had been left at his doorstep, and to try to do it with an excessively hostile congress waiting to fight him on any proposal that he might make to those bodies. How is one supposed to "accomplish" anything when facing that? Let us not forget the racial component too, Barack Obama had to be perfect in every detail, and, in many ways, he hardly made an error. Imagine living with that pressure alone. And so, with congress, he tried, and he tried, and he tried again, only to be rejected at almost every turn. So, on the legislation side of things, perhaps there might not be much to grab onto when looking back at those 8 years? But, think again, and remember just where our international posture was before 2009, and where it is now as he leaves office. Watch and listen to what happens as he makes his last trip to Europe as our president. And then, come January 20th of 2017, you watch and see how President Donald Trump is greeted and thought of around the world!!! When you have observed this, you will begin to realize, and perhaps finally appreciate just how wonderful the Obamas were at carrying us all with them. I, for one, am going to miss them both so very much, and I will be wishing them the very best of everything, good health, and happiness for the rest of their days. Thank you for everything Barack and Michelle Obama.
New York, NY
November 12th, 2016
Then, in the December 1st issue of the London Review of Books, Cambridge political scholar, David Runciman wrote a most engaging piece about the 2016 U.S. election of Donald Trump titled, "Is This How Democracy Ends?" You can also read it in full here. Taken with the Gabler essay, you have two perspectives on the same election by brilliant writers, one from the United States, and the other from England, which offer the national and international perspectives for those who view the events in a particular way, as I do. Enjoy both pieces, and then, pause to give them some thought. We will see how the things written look in the coming years!
Andy Gray(BGO Records) and his staff were so kind as to allow me to have Janet Perr design a cover that would include a previously unused Jean-Michel Folon image. Many people, outside of the music business, believe that "the artist" always has something to say about how their "work" or "catalog" is to be used and treated. But, when you do not "own" the actual recordings, the artist has absolutely NOTHING to say about anything, and is almost NEVER consulted about anything. Sometimes, this can have disastrous artistic consequences - because, in the end, no one knows those older recordings better than the artist!!! So, for everything that is positive about this release, I am very grateful to Andy for allowing me to be in-the-loop about many of the significant issues!!! At present, the UK release was rescheduled for March 30th, 2015 with the USA release quickly to follow on April 7th!!!
For those of you who can read in French, or can, at the very least, deduce what is being said, once again, Frédèric Goaty has written a fantastic piece for Muziq Magazine, the title of which fundamentally translates to: "The Cult Trilology," referring to the 3 Columbia albums, now offered in this fantastic reissue package. Enjoy his great article one way or another!!!
So, we hope that you will take advantage of the link and look at Peter's article which is now featured at a page that we created for it!
I have also posted the same Interview here at the website with a page that we created specifically for it! Thanks so much to Matt Phillips for wanting to do a feature on "CASA LOCO."
In all, they perform Steve's arrangements of compositions by: Ornette Coleman: "Bird Food"(featuring Randy Brecker); Freddie Hubbard: "Baraka Sasa"; Wayne Shorter: "Infant Eyes"; Greg Osby: "Heard"; Thelonious Monk: "Hackensack"; and the gorgeous ballad, "Never Let Me Go"(Livingston-Evans). All this, plus 2 originals from Steve, and, a Cumbia driven Vallenato epic collaboration between Steve and Mariana Ingold(which features Gil Goldstein).
Once again, the music was beautifully recorded by James Farber at Avatar Studios during January 29th-30th, 2014. Michel Granger's spectacular image graces the cover, and contributes its own particular "subtext." The CD package was designed by the super-talented Janet Perr.
Again, 55 Records(Japan); ESC Records(Germany/Europe) and Tone Center Records(USA) will form this important part of the team. 55 Records released the album on May 21st, and it's safe to say that ESC Records released it on May 30th. The U.S. release is coming shortly on June 24th. If you enjoyed "PARTING SHOT," you will surely love this new one!!!
The reviews have just started to come in, beginning with a stupendous review from allaboutjazz.com's senior writer, John Kelman. It's so rare that a review is given the space to be so thorough and detailed. As the artist, one can only appreciate a moment like this and value it. Japan's JAZZ LIFE magazine has already written that the recording is: "An ambitious work, hot music filled with Khan's artistry!!!" AllAboutJazz' Dan Bilawsky writes: "....musicians know the score when it come to this venerable guitarist: Khan kills in his own special way."
For anyone who is interested in reading further Reviews and Press, you can now access them on a separate page via the link. Over the course of the run of the album, we continued to update this page and many reviews were added to it. Thanks to everyone from the public, to radio programmers, and the press, who have been so supportive of the recording since its release in late June, 2014.
In a recent development, for the first time, Leo has decided to add another portion of our interview, one that does not appear in the podcast, to the website, and you can now access the Bonus Segment just below the main interview.
Here is the most extensive interview that I have done in years, or it's certainly the only one that I can recall where the entire conversation has been shared in print. My most sincere thanks to Adam St. James and everyone at Guitar.com for affording me this kind of open-ended forum. Adam did a spectacular job transcribing a phone conversation that lasted longer than an hour!!! I hope that everyone who takes the time to read it will enjoy it.
Of course, over the years, I have realized that a spoken interview was meant to heard, and often times, when it goes to print and then becomes prose, what was intended to be heard just does not read well on the page. So, I have labored to revise many of my responses so that they now read as was my original intention or hope. The Interview by Adam St. James can now be accessed via this link as well. It's up to you.
As of January 28th, all the significant catalog recordings will have been made available. My most sincere thanks to everyone involved in making this become a reality. Check back here for more news.
If you would like to read about my participation on the tune, "San Francisco, P.M."(Dedicated to Cal Tjader) which opens the CD, just click on the CD cover, and it will take you there. I hope that you will enjoy reading the story, and, of course, hearing the solo.
This spectacular recording features performances by guest artists: Rob Mounsey(keyboard & orchestrations), and, Steve was honored to have both Andrés Beeuwsaert(Aca Seca Trio) and Brasilian vocalist, Tatiana Parra singing the vocalese section on Steve's tune, "Influence Peddler." Perhaps, though it might be too bold to say, this is one of the first Latin Jazz recordings led by a guitarist in decades.
The simultaneous releases are now scheduled as follows: 55 Records(Japan) will release the CD first on April 20th. And then, on April 26th, both Tone Center Records(USA) and ESC Records(Germany/Europe) will follow. The cover art features another one of Steve's favorite artists, the great Frenchman Michel Granger. It has been a longtime dream for Steve to be able to feature a cover by Granger.
The reviews have just started to come in, beginning with great reviews from allaboutjazz.com's senior writer, John Kelman and Mark F. Turner. Please make certain that you also take some time to read STEVE'S PERSONAL REFLECTIONS on each tune from "PARTING SHOT." When "In the Artist's Own Words" was launched as a feature during 2006, the very first presentation was Steve's Personal Reflections on "THE GREEN FIELD
For anyone who is interested in reading further Reviews and Press, you can now access them on a separate page via the link. Thanks to everyone from the public, to radio programmers, and the press, who have been so supportive of the recording since its release in early May, 2011.
Not long after Steve's interview aired, Rick and Eddy presented a wonderful interview with Rob Mounsey. Hoping that everyone will get to hear both!!!
This incredible recording features Steve alongside Anthony Jackson(Contrabass Guitar) and Dennis Chambers(Drums) and was recorded on the last night of their European Tour on May 17th, 1994. The recording took place as part of a live radio broadcast for WDR as the trio performed at Stadtgarten Club in Köln, Germany. Recorded digitally and direct to a 2-track master, the CDs feature truly remarkable performances from all three players, but, it is easy to recognize that these are historic representations of the art of both Anthony Jackson and Dennis Chambers. What takes place on the nearly 18-minute version of Joe Henderson's "Caribbean Fire Dance" will be talked about for a long, long time. Anthony Jackson's solo 'prelude' to the title track is also a truly outstanding moment.
Once again, the CD is graced by a beautiful 'suitcase' image from Jean-Michel Folon which makes this package extra special for Steve. The release of this now legendary concert is not without a rather remarkable story. Please take a moment, click on the cover image link, and read about it. Some details have been left out to protect the innocent!
For anyone who is interested in reading the Reviews and Press, you can now access them on a separate page via the above link. Thanks to everyone from the public, radio programmers, and press who have been so supportive of the recording since its release.
As the year comes to an end, "THE SUITCASE" was just named one of the BEST JAZZ CDs OF 2008 by allaboutjazz.com's senior writer, John Kelman. We are, of course, most appreciative of this honor!
Though its release in early 2006 seems like such a long time ago, "THE GREEN FIELD" sessions from May 23rd & 24th, 2005 still remain fresh in the memory.
The last of the recorded tracks from those sessions, "Dreamsville" written by the great Henry Mancini, will still have to sit and await a new opportunity for a release as there just was not any room for it to fit on either of the last two CDs. Right now, it's hard to imagine just how that one isolated track could fit somewhere else.
For those of you who are still interested in reading the Interviews and Press associated with this release, you can now access them on a separate page via the above link.
Not to be redundant, but, another very popular feature has been "STEVE'S PERSONAL REFLECTIONS" on the recording, and those are available via the wonderful allaboutjazz.com website.
Recently, through the website, I had received several e-mails, mostly from Europe, from fans telling me that they now had bootleg audio versions of this concert, which included 14 tunes over 2 sets. I had no idea that anyone could have found these things because the videos were done for a production company in Japan. I have actually never even seen these performances, as I don't like watching such things. However, it was because of these e-mails that I decided to seek out the help of my good friend and renowned video artist/editor, Phil Fallo to make an artistic transfer from the VHS format to DVD. I, of course, kept both Jay and Ben 'in the loop' about our progress in doing this. We decided that we would have my webmaster, Blaine Fallis, upload four(4) tunes to YouTube and see what happens. So now, you can watch and listen to the following tunes via these links: "Tyrone" which appeared on the "HEADLINE" CD. "Masqualero" which appeared on the "LET'S CALL THIS" CD. "Gee Baby Ain't I Good To You" which I have never recorded, and we rarely ever played this one live. It is my little tribute to Kenny Burrell. And finally, "Caribbean Fire Dance" which appears on both "HEADLINE" and now "THE SUITCASE."
From a purely historical perspective, I suppose that it's interesting to note that "CROSSINGS" was recorded just two years later. And, "THE SUITCASE" was recorded on tour just after that. Jay, Ben and I hope that everyone will enjoy seeing these videos.
Now, Stefan Grossman is about to release various performances from this series in DVD. Lucky me, my performances of both Larry Young's "Backup" and my own tune, "Dr. Slump" will be part of "JAZZ MASTERS: VOLUME ONE" of the DVD packages. Also featured on this very special DVD will be Pat Martino and Bill Frisell, obviously both great artsits, respected colleagues, and good friends. Stefan recently was kind enough to send me the still photo portrait lifted from the video. Before having seen it on the back of the DVD package, I had never seen this shot. It's nice to be able to share it here for the first time.
KORNER 1, which now has 104 hand-written solo transcriptions, offers classic solos by: Miles Davis, Jim Hall, Grant Green, Wes Montgomery, Thelonious Monk, Freddie Hubbard, Herbie Hancock, Michael Brecker, Stanley Turrentine, Clare Fischer, Chick Corea, Pat Martino, Kenny Burrell, Paul Desmond, George Benson, George Coleman, Steve Grossman, John Scofield, Gabor Szabo, Leonardo Amuedo, and Robben Ford, plus corresponding mp3s.
To celebrate the BGO Records(UK) reissue of PUBLIC ACCESS-HEADLINE-CROSSINGS remastered, and packaged together on 2 CDs, we are presenting Steve Khan's solo, that originally appeared on CROSSINGS(Verve) in 1994. This 4-chorus solo was performed on Thelonious Monk's classic composition, "Think of One" and receives one of Steve's early Latin-influenced treatments driven by the interactive brilliance of Anthony Jackson(contrabass guitar), Dennis Chambers(drums) and Manolo Badrena(percussion). As Bill Milkowski put it in his liner notes:
"Hearing these records again reminds one of just how radically fresh and experimental they were when they came out 25 years ago. There was no template for this sound back then. The spaciousness and misterioso vibe, the brilliant use of counterpoint between guitar and bass, the bizarro midi percussion floating in and out of the mix, all while still being grounded by an insinuating Latin undercurrent... it was unprecedented for the '90s.....and there is still nothing quite like it!"
2018 opened with another incredible solo from Michael Brecker on the title track from bassist Eddie Gómez' 1988 album, "POWER PLAY." The tune also featured co-composer LeeAnn Ledgerwood(keyboards) and, for the 1st time only on this song, drummers Steve Gadd and Al Foster playing together. Mike's solo begins with thematic units to develop and along that journey, he explores the full range of his saxophone, a remarkable four octaves. This 40 bar solo over a funk-oriented 16th-note groove with two modal m7(9sus) chords is sure to become a favorite with those who visit these pages.
As 2017 continued, we offered Wes Montgomery's wonderful solo on "Stella by Starlight" from the album DANGEROUS which was originally recorded in 1961 with brothers Buddy and Monk Montgomery. Finally, the year closed with the presentation of Steve's own solo on Greg Osby's "Concepticus in C" from Steve's most recent CD, "BACKLOG." Steve is once again supported by the spectacular keyboard work of Rob Mounsey alongside the very funky cha-cha-cha rhythms of Marc Quiñones(timbal & güiro), Bobby Allende(conga) and Rubén Rodríguez(baby bass) alongside the most serious fatback groove of Mark Walker(drums). While negotiating the complex harmonies, Steve's solo is rooted in the blues language. One of the best tunes on the album!
In 1979, keyboardist Neil Larsen recorded the 2nd of his two albums for Horizon Records, HIGH GEAR, and on that album, Michael Brecker contributed two brilliant solos. For September, we feature his solo on the Larsen penned tune, "Nile Crescent." Buzz Feiten(Guitar), a fixture with Larsen, joins Abraham Laboriel(El. Bass); Steve Gadd(Drums); Paulinho Da Costa(Perc.) and Joe Farrell(Flute) on the track. Michael's 22-bar solo over a Phrygian mood embodies all the wonderful qualities in his playing. As it has now been some 10 years since Michael left us, it only seems fitting to pay tribute to him again, and just how glorious his body of work remains. He was so very special. Hoping that everyone enjoys this solo to the fullest.
Then in October, we featured his solo on the Larsen penned tune, "Demonette." Buzz Feiten(Guitar), a fixture with Larsen, joins Abraham Laboriel(El. Bass); Steve Gadd(Drums); and Paulinho Da Costa(Perc.) on the track. Michael's solo here is really more about being right in the center of the flow of the time feel, and swingin' really hard! To these ears, there is not one single note in this solo that ventures outside the harmonies, not one! How rare is that for a Michael Brecker solo? There is hardly any chromaticism within the solo. How rare is that? It proves one thing at the very least, if you play with aggressive and swinging time, you can play anything, and it's going to work - and, more than this, you can play completely inside, and have a monster of a solo! See if you don't feel the same way.
With the February, 2017 release of Steve's new CD, "BACKLOG," we have embarked on a journey of presenting some 7 of Steve's solos from the new album. During the month of March, we posted, two weeks apart, his solos on: Thelonious Monk's "Criss Cross" and then, Ornette Coleman's "Latin Genetics." For April, we will be presenting Steve's solo on Bobby Hutcherson's great tune, "Head Start." May offered Steve's solo over the Cahn-Van Heusen tune, "Our Town" which was transformed into a gorgeous Afro-Bolero. June offers the steel-string acoustic guitar feature from the album, and a solo over a 2nd Hutcherson tune from his 1966 "HAPPENINGS" album, "Rojo." July and August will present the final 2 solos by Steve, over Ornette Coleman's "Invisible," and the Mandel-Mercer classic, "Emily." Always stay tuned to these pages!!!
We began 2015 with Michael Brecker's great solo on "Sound Off" from his "TIME IS OF THE ESSENCE"(Verve) CD. This was followed by a wonderful Chick Corea solo from Airto's great album "FREE"(CTI) on the tune, "Creek"(Arroio). As the year progressed, we presented another incredible Michael Brecker solo from an early and never released Steve Khan demo from 1972, "The Hobgoblin Stomp." Then, a Kenny Burrell solo from Ed Thigpen's album "OUT OF THE STORM"(Verve) on the unique arrangement for "Cielito Lindo." And finally, another wonderful and very swingin' Stanley Turrentine solo from his album "NEVER LET ME GO"(Blue Note) on the Gershwin Bros. classic, "They Can't Take That Away From Me."
From June through December of 2014, we presented Steve Khan's solos from "Bait and Switch"; "Hackensack"; "Never Let Me Go"; "Blue Subtext"; "Bird Food"; and finally, closing out the year with, "Cada Gota de Mar."
Dating back to February of 2013, with great pleasure that we are offered Steve Grossman's fantastic solo that appeared on the 1971 Miles Davis album, A TRIBUTE TO JACK JOHNSON(Columbia). This 3-minute plus exploration of what one can do over a static Bb7(sus) chord, when accompanied by: Herbie Hancock, John McLaughlin, Michael Henderson and Billy Cobham, gives cause for great thought and study. If you haven't heard this before, pay special attention to it now!!!
Hoping to lift the spirits of those musically inclined, we presented to you Pat Martino's swingin' 2-chorus solo over the Cole Porter standard, "It's All Right With Me," which appears on the 1977 Willis Jackson album, BAR WARS(Muse). Accompanied by organist Charles Earland and drummer Idris Muhammad, this particular solo would have been part of a 2nd Volume for Steve's book, "PAT MARTINO - The Early Years" but alas, it was not to be.
There was a nice chill in the air as October arrived that year, and to keep things warm and cozy, we presented Steve Khan's wonderful 1/2-chorus solo over a Clare Fischer classic composition, "San Francisco, P.M.," which appears on the just released album ¡RITMO!(Clavo) by the Clare Fischer Latin Jazz Big Band led by Clare's beloved and devoted son, bassist/arranger, Brent Fischer. Of course, there's a lovely story that accompanies the transcription, and which is shared in Steve's analysis. There's a good reason why this tune was chosen to open the album, and why Steve's solo is the first one as well! Don't miss this one!!!
KORNER 2 continues to house the lead sheets and arrangements to Steve's originals. During 2014, we presented Steve's two originals from "SUBTEXT" which included: "Bait and Switch"(El Estafador) and "Blue Subtext"(Subtexto en Azul).
Dating back to 2011, we presented Steve's seven new compositions from "PARTING SHOT." During May, our first presentation was, "Change Agent." This was followed by: June, "Los Gaiteros"; July, "María Mulambo"; August, "Influence Peddler"; September "When She's Not Here"; October, "Zancudoville"; And finally, during November, "Just Deserts," a spectacular Latin percussion descarga was the feature. If you missed them then? Don't worry, they're still there, and easy to access.
Though the piece is titled, "A DESTINATION - NEVER AN ARRIVAL" and is focused on the artistic life, a life in the arts, the central anecdote, that shapes it all, centers around a portion of an interview which took place between Dick Cavett and the Academy Award winning British actor, Sir Laurence Olivier during the early '70s, just after I had moved to New York. It has become a moment that I have used in countless situations: with private students, at clinics, seminars, and master classes, and, in any serious discussion of what it means to live a creative life in the arts. If you have a few moments, I will hope that you will find something of value when reading this ESSAY.
Originally, this INTERVIEW was done by guitarist Igor Grigoriev, who sadly passed away not too long ago, and way before his time. Hopefully everyone will take a moment to read Steve's honest and insightful answers to some interesting questions.
It was not so long ago that the Jazz Community at large suffered a huge loss in our access to the ears of the public when Russ Davis' fantastic Beyond Jazz program had its bright light turned off by XM Satellite Radio. Since that time, thanks to his tireless dedication to the music, Russ has launched a new radio vehicle on the Internet, and we are proud and happy to advise everyone who visits these pages about this glorious news. Russ has brought with him all the wonderful features that he used to present to his loyal listeners. So, even when I would prefer not to remember my birthday, Russ' program is always there with a special birthday salute!!!
And so, in his own words, here's a personal message from Russ Davis, as he introduces a series of special broadcasts related to release of "PARTING SHOT":
"This Monday, April 25th, on MOJA Radio, we will present another BIRTHDAY edition of our special feature, MONDAY WITH THE MASTERS on MOJA Radio. This time the focus is on one of the most important guitarists in jazz today, STEVE KHAN, just three days before his actual birthday on April 28th. You'll hear all about his beginnings in Los Angeles, his move to New York City during the fusion era to work with The Brecker Brothers, the beginnings of his solo career, his contribution to the fusion era, his love of Latin music, and of course hear a full hour of his brilliant music. Listen for MONDAY WITH THE MASTERS twice every Monday, at 12 Noon EDT/9 AM PDT, with a replay Monday night at 9 PM EDT/6 PM PDT, and this week we place our spotlight on the great, STEVE KHAN!
Every Thursday at 9 AM EDT/6 AM PDT with a replay at 9 PM EDT/6 PM PDT, and twice again on Sundays at 10 AM & 10 PM EDT, I'll be giving you an hour of nothing but the freshest MOJA on THE ALL NEW MUSIC REVUE. As part of our weeklong celebration of Steve Khan's birthday, MOJA will give you cuts from his new album "PARTING SHOT" featuring Steve and his usual All-Star cast of players, and even his first recorded vocal performance!
Every Friday, beginning at 7 AM until midnight EDT, we begin each hour with a classic piece of Jazz Fusion history on our special feature IF IT'S FRIDAY, THIS MUST BE FUSION. This Friday, April 29th, is the day after the great guitarist Steve Khan's birthday, and we'll celebrate that fact with a special feature we call "STEVE KHAN'S GREATEST FUSION HITS." You will hear Steve's great solo albums like "TIGHTROPE"; "THE BLUE MAN"; "ARROWS"; "EVIDENCE"; "EYEWITNESS" and "CASA LOCO" as well as his legendary collaborations with greats like: Billy Cobham on the album "INNER CONFLICTS"; Steely Dan on "GAUCHO"; David Sanborn's debut release "TAKING OFF" and, as a member of The Brecker Brothers Band on albums like: "BACK TO BACK" and "DON'T STOP THE MUSIC." It is "STEVE KHAN'S GREATEST FUSION HITS" on this week's edition of: IF IT'S FRIDAY, THIS MUST BE FUSION.
This Saturday, April 30th, we will continue our birthday celebration of one of MOJA's greats, as we present our weekly feature, WORDS & MUSIC on MOJA Radio. It seems that whenever Steve Khan has a new album release, it coincides with his birthday, and since April 28th has come again, Steve invited me to sit down in his apartment on the Upper West Side of Manhattan to talk about this brilliant new album, that just may be as fine a work as he's ever created. You'll hear the stories of the trials, tribulations, and triumphs of his work with old pals Anthony Jackson, Dennis Chambers, Marc Quiñones, Bobby Allende and Manolo Badrena, plus special guests like: Rob Mounsey and Tatiana Parra(Brazil) & Andrés Beeuwsaert(Argentina). Interview segments, followed by all the songs from this great new album will begin each hour from 12 Noon through Midnight EDT (9 AM-9 PM PDT). Join us for "STEVE KHAN: PARTING SHOT" on this week's WORDS & MUSIC."
Russ Davis' fantastic programs are also presented as his "JAZZ AMERICA" show airs on VOICE OF AMERICA, Saturday from 1-3 AM EDT(11 PM-1 AM PDT, Friday night into Saturday morning), and Sunday from 9-11 AM EDT(6-9 AM PDT).
As I continue to say, I can't thank Russ enough for all his support over the many years. Personally, I will always be wishing him every success that there can be. If you can possibly lend your support to this great adventure in radio, it will truly serve the greater good!!! Thank you!!!
Blaine & Youngsuk Fallis; Rob Mounsey; Suzy Cline; Michael Brecker;
Jean-Michel Folon; Paola Ghiringhelli; Ned Shaw; Christine Martin; Iain Grimwood; Ron
Aston; Bob Kiernan(Digital Chainsaw); Peter Erskine; Larry Weissman; Gloria & Mike
Franks; Laurie Cahn; Rachel Leifer; Phil Gruber(Inkwell, Inc.); Katerina
Tsioris; Lawrence Ross; Andrew Campbell; Richard Cann; Tim Boehlert; Al Irizarry;
Jeremy Hooper; Marco Losavio(JazzItalia); Kenny Inaoka(JazzTokyo); Richard
Laird; Martin Cohen; Ed Zajac; Jim Moran; Altair Castro; Sabina & Seth Ornstein; Bernie Minoso;
L. John Harris; Priscilla Marrero; Robin Gould; Felipe
Díaz; and, Rafael y Pimpi Greco.
Blaine & Youngsuk Fallis; Rob Mounsey; Suzy Cline; Michael Brecker; Jean-Michel Folon; Paola Ghiringhelli; Ned Shaw; Christine Martin; Iain Grimwood; Ron Aston; Bob Kiernan(Digital Chainsaw); Peter Erskine; Larry Weissman; Gloria & Mike Franks; Laurie Cahn; Rachel Leifer; Phil Gruber(Inkwell, Inc.); Katerina Tsioris; Lawrence Ross; Andrew Campbell; Richard Cann; Tim Boehlert; Al Irizarry; Jeremy Hooper; Marco Losavio(JazzItalia); Kenny Inaoka(JazzTokyo); Richard Laird; Martin Cohen; Ed Zajac; Jim Moran; Altair Castro; Sabina & Seth Ornstein; Bernie Minoso; L. John Harris; Priscilla Marrero; Robin Gould; Felipe Díaz; and, Rafael y Pimpi Greco.