Steve Khan Lead Sheets

KHAN'S KORNER 2 is dedicated to the presentation of Steve's original lead sheets, mini-scores, and arrangements which span nearly 30 yrs. as a recording artist. As in the past, they will be presented with the corresponding sound clip, and an analysis, or remembrance, provided by Steve. It is hoped that this will help everyone on any number of levels, including your own eventual interpretations of these tunes. The sound clips will be in mp3 formats for the best quality sound at the smallest file size. We have greatly appreciated your response to these pages and will continue to do our best to bring such things to the site!!
59. "Have You Met Miss Jones?" Steve's Salsa-styled arrangement of this great Rodgers & Hart standard from BORROWED TIME(Tone Center) owes a great deal to the keyboard harmonies of Clare Fischer and the original trio recording by McCoy Tyner. Once again the presence of Randy Brecker's flügelhorn adds just the right touches throughout. Rob Mounsey's spirited and precise keyboard playing realizes Steve's harmonic dream. The 'sabor' is added by three of the great Latin giants: Rubén Rodríguez(5-string Elec. Bass), and the stellar percussion team of Marc Quiñones and Bobby Allende. Keyboard Lead Sheet; Guitar Lead Sheet; Bass Lead Sheet and analysis, Steve Khan. MP3 file: missjones.mp3 (1.9MB) \| missjones.rm (2MB)
58. "Penguin Village" The third offering from the MODERN TIMES(Polydor) "live" recording in Japan in 1982. The piece features Steve's forward looking chord voicings, with wonderful contributions from Anthony Jackson, Steve Jordan, and Manolo Badrena. As always, there's an explanation for this title. Lead Sheet and analysis, Steve Khan. MP3 file: penguinv.mp3 (2.5MB) \| RealAudio: penguinv.rm (2.6MB)
57. "Warm Blue Town" Using "Candles" as a model, this Weather Report influenced piece was also commissioned for Jean-Michel Folon's computer animated Tokyo Gas commercials for Japan. It appears as well on Steve's '87 Japan release, HELPING HAND(Polydor K.K.). Bill Evans contributes some beautiful soprano sax work. Lead Sheet and analysis, Steve Khan. MP3 file: warmblue.mp3 (2.4MB) \| warmblue.rm (1.2MB)
56. "Caribbean Fire Dance" This "live" version of Joe Henderson's classic tune features Steve alongside Anthony Jackson and Dennis Chambers, and contains a nearly 15-minute drum solo!!! It appears on the just released double CD, THE SUITCASE(Tone Center). The lead sheet shows how Steve reduced an arrangement, originally written for 3 horns, vibes, piano and bass to one guitar and one contrabass guitar. It's a great lesson in making the most out of what you have. Lead Sheet and analysis, Steve Khan. MP3 file: caribfiredance.mp3 (1.5MB) \| caribfiredance.rm (1.5MB)
55. "In a Star's Arms" Here is this year's X-MAS gift! This rubato ballad uses "The Blue Rose" as its model. Originally composed to be used as the score for one of Jean-Michel Folon's gorgeous computer animated commercials for Japan's Tokyo Gas. Not long after, it appeared on Steve's '87 "Best of" package for Japan, HELPING HAND(Polydor K.K.). It features Clifford Carter on keys and percussionist Café's beautiful plea for "peace and love." Lead Sheet and analysis, Steve Khan. MP3 file: starsarms.mp3 (2MB) \| starsarms.rm (1MB)
54. "City Suite Pt. II: Dream City" The second section of the Suite begins with a Steve Gadd drum solo over Don Grolnick's rock solid montuno. From there, one can hear the influences of the music of New York: the vibrant Latin/Salsa scene, a touch of Brazil, and, in those years, the infectious groove of Richard Tee and Stuff. It all appeared on Steve's '79 release, ARROWS(Columbia). Lead Sheet and analysis, Steve Khan. MP3 file: dreamcity.mp3 (1.8MB) \| dreamcity.rm (1.2MB)
53. "Face Value" The second original tune from BORROWED TIME(Tone Center) owes a great deal to the keyboard harmonies of Clare Fischer. Steve's Strat returns, after a long absence, to state the main melodies, while Randy Brecker's flügelhorn adds the right melodic touches in the [B] sections. The piece alternates between the bolero rhythms and a cha-cha-cha, and these subtle shifts are in the masterful hands of Rubén Rodríguez(Baby Bass), and the stellar percussion team of Marc Quiñones and Bobby Allende. Rob Mounsey's gorgeous keyboard playing acts as the 'glue' to everything. This piece seems to be the most popular tune on the recording. Lead Sheet and analysis, Steve Khan. MP3 file: facevalue.mp3 (1.8MB) \| facevalue.rm (1.2MB)
52. "El Faquir" Originally written for his composition class at U.C.L.A. in '69, and now appearing on Steve's just released BORROWED TIME(Tone Center) CD, this piece aspires to meld Jazz elements with Indian and Latin cultures, and all in 11/4. This musical adventure features the presence of tabla master, Badal Roy, alongside the great Bob Mintzer on bass clarinet. Lead Sheet and analysis, Steve Khan. MP3 file: faquir.mp3 (1.3MB) \| faquir.rm (944k)
51. "City Suite Pt. I: City Monsters" From the '79 release, ARROWS(Columbia), the first part of Steve's ambitious Suite features the super-precise horn phrasing of the Brecker Bros. and David Sanborn, which sits on a solid groove supplied by Don Grolnick, Will Lee, and Steve Gadd. Are these guys New York City's "monsters" from that time? Lead Sheet and analysis, Steve Khan. MP3 file: citymonsters.mp3 (1.7MB) \| citymonsters.rm (1.2MB)
50. "Mr. Butterfat" An inside look at Steve's first recorded composition, which appeared on David Sanborn's '75 debut recording, TAKING OFF(Warner Bros.). At the recording, Steve and Buzzy Feiten were side by side. There's a great story behind this tune too! Lead Sheet and analysis, Steve Khan. MP3 file: butterfat.mp3 (1.4MB) \| butterfat.rm (959k)
49. "Some Sharks" If by now you don't understand what makes Anthony Jackson so special, just listen to this track!!! From Steve's '83 recording, CASA LOCO(Antilles), this performance spotlights everything that is brilliant about this most unique musician. And, if that's not enough, all the drummers should be listening to Steve Jordan!!! Lead Sheet and analysis, Steve Khan. MP3 file: sharks.mp3 (3.3MB) \| sharks.rm (1.7MB)
48. "Some Down Time" Fans of the Brecker Bros. Band horn sound will love this early fusion/funk tune from Steve's '78 release, THE BLUE MAN(Columbia). Be sure to examine letters [C]-[C2] for the super-tight phrasing of this great, great mini-horn section. Lead Sheet and analysis, Steve Khan. MP3 file: downtime.mp3 (2.1MB) \| downtime.rm (1.6MB)
47. "Calling" An original ballad, from the '79 release, ARROWS(Columbia) features Steve on his Strat playing a beautiful melody with Hendrix style inflections which alternate with David Sanborn's poignant alto sax. The performance includes the stellar accompaniment of Don Grolnick, and Steve Gadd's brushwork. Lead Sheet and analysis, Steve Khan. MP3 file: calling.mp3 (2.9MB) \| calling.rm (2.2MB)
46. "Silent Screen" Steve's original ballad, from the '89 release, PUBLIC ACCESS(GRP) features some spectacular lines from Anthony Jackson, which were transcribed and added to this version of the original lead sheet. It is an opportunity to look inside the harmonic and rhythmic imagination of this masterful bassist. Lead Sheet and analysis, Steve Khan. MP3 file: silents.mp3 (3.1MB) \| silents.rm (2.4MB)
45. "Kamarica" The last of the extended song form tunes from Steve's '89 release, PUBLIC ACCESS(GRP), offers yet another wild mixture of elements. This time, Manolo Badrena's vocals offer chants derived from African dialects, and a bridge in Spanish. When the stellar rhythm section work of Anthony Jackson and Dave Weckl is added in, it becomes an irresistible brew. Lead Sheet and analysis, Steve Khan. MP3 file: kamarica.mp3 (4MB) \| kamarica.rm (3MB)
44. "Botero People" With a nod to the Colombian artist Fernando Botero, this piece, from the '89 release, PUBLIC ACCESS(GRP), offers a mixture of elements, including Manolo Badrena's Brazilian-inflected vocalese. The solo section offers tremendous interactive playing from both Anthony Jackson and Dave Weckl. Lead Sheet and analysis, Steve Khan. MP3 file: boterop.mp3 (3MB) \| boterop.rm (2.3MB)
43. "Mama Chóla" One of the most memorable to the extended song form tunes from the '89 release, PUBLIC ACCESS(GRP). In addition to Manolo Badrena's impassioned vocals, the piece is highlighted by one of Dave Weckl's most spectacular drum solos. This special presentation also features a never before heard soundclip of Steve Jordan's original drum groove for the [I]ntro section. Lead Sheet and analysis, Steve Khan. MP3 file: chola.mp3 (3.6MB) \| chola.rm (2.8MB)
42. "Cosecha lo que has sembrado" The incredible percussion jam from THE GREEN FIELD(Tone Center), which was modeled after Tito Puente's "Tito on Timbales" and then turned into a custom fit for the percussive exploits of Roberto Quintero, Ralph Irizarry, and Jack DeJohnette. The double-time finale features Steve's psychedelic guitar "Big Band." Lead Sheet and analysis, Steve Khan. MP3 file: cosecha.mp3 (1.2MB) \| cosecha.rm (906k)
41. "Fist in Glove" Steve's twist on a blues in 3/4 becomes the 3rd lead sheet to be shared here from THE GREEN FIELD(Tone Center). Bearing the influence of organists Larry Young and Larry Goldings, the piece offers interesting solo formats for the guitar, John Patitucci's bass, and later for Jack DeJohnette. Lead Sheet and analysis, Steve Khan. MP3 file: fisting.mp3 (1.4MB) \| fisting.rm (1MB)
40. "The Green Field(El Prado Verde)" The lead sheet to the title track from THE GREEN FIELD(Tone Center), offers a unique opportunity to see how what was written somehow became an 18-minute epic with the propulsion of Jack DeJohnette, and the interactive musicality of John Patitucci and Manolo Badrena. Lead Sheet and analysis, Steve Khan. MP3 file: greenfield.mp3 (4.3MB) \| greenfield.rm (2.2MB)
39. "El Viñón" Steve's tribute to Elvin Jones is the first of his four original tunes to be presented from his spectacular 2006 release, THE GREEN FIELD(Tone Center). The track features outstanding performances by John Patitucci and Jack DeJohnette. Lead Sheet and analysis, Steve Khan. MP3 file: elvinon.mp3 (1.7MB) \| elvinon.rm (1.2MB)
38. "Candles" One of Steve's earliest originals becomes an off-handed tribute to Jimi Hendrix. This version appears on the '79 recording ARROWS(Columbia), and features some rare Michael Brecker on soprano sax. Lead Sheet and analysis, Steve Khan. MP3 file: candles.mp3 (2.4MB) \| candles.rm (1.7MB)
37. "Daily Valley" The "Daily" series continues. This last tune appeared on the '78 recording THE BLUE MAN(Columbia). Like "Daily Village," this composition was designed to feature Steve's acoustic steel-string set against the beauty of Don Grolnick's Fender Rhodes style. The mini-score serves as a great view into this early Fusion ballad. Lead Sheet and analysis, Steve Khan. MP3 file: dailyvalley.mp3 (1.8MB) \| dailyvalley.rm (1.3MB)
36. "The Little Ones" A brilliant composition by Randy Brecker, which appeared on Steve's '78 recording THE BLUE MAN(Columbia), is featured in mini-score form and showcases Randy's unique harmonies, quirky melodies, as well as the signature voicings for the "World's Greatest Mini-horn Section" of Randy, Michael Brecker, and David Sanborn. A great opportuniy to study the work of one of our most special composers. Lead Sheet and analysis, Steve Khan. MP3 file: littleones.mp3 (2.2MB) \| littleones.rm (1.5MB)
35. "The Suitcase" A most unique group composition which features the virtuosity of Anthony Jackson and his contrabass guitar, and appeared on Steve's '83 recording, CASA LOCO(Antilles). A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: suitcase.mp3 (2.1MB) \| suitcase.rm (1.4MB)
34. "Guy Lafleur" One of the signature tunes from the '81 EYEWITNESS(Antilles) recording. The analysis highlights the unique concepts of both Anthony Jackson and Steve Jordan. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: guy.mp3 (4MB) \| RealAudio: guy.rm (2MB)
33. "Blades" A second offering from the MODERN TIMES(Polydor) "live" recording featuring exciting unison guitar & bass passages, anchored by Steve Jordan's exceptionally creative and propulsive drumming. A new "live" version features Steve alongside Anthony Jackson, and the spectacularly powerful Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: blades.mp3 (4MB) \| RealAudio: blades.rm (2MB)
32. "The Blue Rose" An inside look at Steve's spectacular ballad from his '87 recording with the brilliant keyboardist Rob Mounsey, LOCAL COLOR(Denon). Free composed and played totally rubato, it serves as an alternative to the standard approach to playing a ballad. Lead Sheet and analysis, Steve Khan. MP3 file: bluerose.mp3 (1.4MB) \| RealAudio: bluerose.rm (723k)
31. "Some Arrows" The 'almost' title song from the '79 recording, ARROWS(Columbia) is a classic fusion shuffle anchored by the relentless "caveman-esque" drumming of the great Rick Marotta. Lead Sheet and analysis, Steve Khan. MP3 file: somearrows.mp3 (2MB) \| RealAudio: somearrows.rm (1MB)
30. "The Blue Man" The title song from the '78 recording, THE BLUE MAN(Columbia) bears the undeniable influence of early Weather Report, and represents one form of the "fusion" of Rock and the then new electric Jazz. Lead Sheet and analysis, Steve Khan. MP3 file: blueman.mp3 (3MB) \| RealAudio: blueman.rm (782k)
29. "Where's Mumphrey?" Finally, the mysteries of this most enigmatic of compositions are revealed!!! In the analysis of the signature tune from EYEWITNESS(Antilles), Steve attempts to explain why the perception of "beat 1" is so elusive. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: mumphrey.mp3 (828k) \| RealAudio: mumphrey.rm (217k)
28. "Some Punk Funk" Steve offers his original mini-score to this very popular, and very simple tune from TIGHTROPE(Columbia). It is part of a 2-fer, in conjunction with presenting Michael Brecker's incredible tenor sax solo @ Korner 1. Lead Sheet and analysis, Steve Khan. MP3 clips: Solo \| Lead Sheet RealMedia clips: Solo \| Lead sheet
27. "Mambosa" Steve presents his original mini-score from PUBLIC ACCESS(GRP) which is the only tune Eyewitness ever recorded with a keyboard. The analysis shares how the track was prepared so that the group could play along 'live' with it and maintain its identity, and the all important sense of space. Lead Sheet and analysis, Steve Khan. MP3 file: mambosa.mp3 (3.5 MB) \| RealAudio: mambosa.rm (930k)
26. "Sisé" Steve's original lead sheet for this very popular Eyewitness 'group composition' from PUBLIC ACCESS(GRP), expands on the extended song form explored on "Casa Loco." Manolo Badrena's unique lyrics and vocal style contribute to a rare blend of Latin music, R&B, funk, with the spirit of jazz improvisation. Lead Sheet and analysis, Steve Khan. MP3 file: sise.mp3 (3.5MB) \| RealAudio: sise.rm (930k)
25. "Eyewitness" Here's an opportunity to view Steve's newly written lead sheet for the title track from, EYEWITNESS(Antilles). In his analysis, Steve sings the praises of bassist, Anthony Jackson and, explains how this piece was designed as a vehicle for a 'free ballad' improvisation. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: eyewitness.mp3 (2.8MB) \| RealAudio: eyewitness.rm (727k)
24. "Butane Elvin" The brilliance, and unique swing, of drummer, Elvin Jones, is the obvious inspiration for Steve's composition which appeared on his '89 CD, PUBLIC ACCESS(GRP). The recording featured remarkable performances by Anthony Jackson; Dave Weckl; and Manolo Badrena. Lead Sheet and analysis, Steve Khan. MP3 file: butane.mp3 (2.5MB) \| RealAudio: butane.rm (2MB)
23. "Don't Worry Baby" Steve pays tribute to his love for Latin music and the keyboard sonorities of Clare Fischer as he shares his lead sheets for his contribution of "Don't Worry Baby," to the '97 recording, WOULDN'T IT BE NICE(Blue Note/Contemporary), which was a tribute to the music of Beach Boy, Brian Wilson. For keyboard players and guitar players alike this is a most special look at the rich possibilities of harmony. Highly recommended!!! Lead Sheet and analysis, Steve Khan. MP3 file: dontworry.mp3 (3.6MB) \| RealAudio: dontworry.rm (927k)
22. "I Have Dreamed" Steve's inventive interpretation of the Rodgers & Hammerstein classic, "I Have Dreamed" which appears on his '96 recording, GOT MY MENTAL(Evidence), has no models as he demonstrates that you can approach a 'standard' by opening-up various sections as you go along, making the performance a one-time only journey through the tune. Joined by John Patitucci, Jack DeJohnette, and Café, the performance is very special, and Steve's analysis offers a perspective which only he can give. Lead Sheet and analysis, Steve Khan. MP3 file: ihavedreamed.mp3 (1.9MB) \| RealAudio: ihavedreamed.rm (499k)
21. "Casa Loco" Perhaps "Casa Loco," from the '83 recording, CASA LOCO(Antilles), broke the mold, where song form was concerned, for Eyewitness as, along with bandmates Anthony Jackson; Steve Jordan; and Manolo Badrena, the group extended the possibilities it had long been exploring. This newly revised lead sheet provides all the insights one could ask for. Lead Sheet and analysis, Steve Khan. MP3 file: casaloco.mp3 (3.6 MB) \| RealAudio: casaloco.rm (473k)
20. "Buddy System" A unique look at Steve's "rhythm changes" tune which first appeared on his '91 recording, LET'S CALL THIS(Mesa/Bluemoon), and was then recorded, using the title, "Brown Zone," by the Yellowjackets on their GREENHOUSE(GRP) CD . Here you can enjoy both interpretations and learn from Steve's analysis. Lead Sheet and analysis, Steve Khan. Steve Khan: buddy_system.mp3 (2.8MB) \| Yellowjackets: brown_zone.mp3 (3.5MB)
19. "What I'm Said" From the '93 recording CROSSINGS(Verve), Eyewitness is now anchored by Dennis Chambers on drums and he joins with Steve, Anthony, and Manolo for a wicked shuffle groove on what is arguably Steve's most beautifully recorded CD. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: what.mp3 (2.8MB) \| RealAudio: what.rm (2.8MB)
18. "Within You Without You"/"Blue Jay Way"(George Harrison) Steve salutes George Harrison, on what would have been his 60th birthday(February 24th, 1943). This medley features Peter Erskine, Marc Johnson, and Brazilian percussionist Nana Vasconcelos, and appears on a 1993 Guitar Tribute to the Beatles titled: COME TOGETHER(NYC Records). Lead Sheet and analysis, Steve Khan. MP3 file: gh.mp3 (10.8MB) \| RealAudio: gh.rm (3.5MB)
17. "The Blue Shadow" From a 1982 recording, MODERN TIMES(Polydor), recorded live at the PIT INN in Tokyo. (Also worth noting, though it's not on this sound clip, if you have this CD you've got to check out the Anthony Jackson/Steve Jordan crazy 2-minute bass/drum dialogue for the Intro. It's out there, man!) Lead Sheet and analysis, Steve Khan. MP3 file: bshadow.mp3 (7MB) \| RealAudio: bshadow.rm (1.5MB)
16. "Blue Zone 41" From the 1989 Eyewitness recording, PUBLIC ACCESS(GRP), which has been labeled by some as "one of the greatest fusion records ever made." Now, a new "live" version, featuring Steve alongside Anthony Jackson and Dennis Chambers, appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: bluezone41.mp3 (1.74MB) \| RealAudio: bluezone41.rm (1.2MB)
15. "Dr. Slump" The Webmaster(that's me) loves this tune and so did everyone where I work, whether they'd heard of Steve Khan or not. From the quartet's 1981 debut EYEWITNESS(Antilles), "Dr. Slump" features Steve playing a Strat, instead of the ES-335. Steve's analysis is particularly insightful. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: drslump.mp3 (7.4MB) \| RealAudio: drslump.rm (2.3MB)
14. "Star Chamber" This Herbie Hancock influenced tune from TIGHTROPE(Columbia) features an early glimpse of Steve using his steel string acoustic as a solo voice, and also is a rare chance to hear David Sanborn playing soprano sax. Lead Sheet and analysis, Steve Khan. MP3 clips: Solo (1.9MB) \| Lead Sheet (1.9MB) \|\| RealMedia clips: Solo (1.5MB) \| Lead sheet (1.5MB)
13. "Uncle Roy" From CASA LOCO(Antilles), a fan favorite featuring the superb and sometimes ominous talents of Manolo Badrena and Anthony Jackson within the context of Eyewitness. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: long (4MB) \| short (2MB)
12. "Daily Bulls" Also from THE BLUE MAN(Columbia), one of his most popular tunes, at least amongst fans... Lead Sheet and analysis, Steve Khan. MP3 file: bulls.mp3 (2.3MB)
11. "Daily Village" From the 1979 recording ARROWS(Columbia), this posting makes one each from Steve's 3 earliest recordings as a leader. Lead Sheet and analysis, Steve Khan. MP3 file: daily.mp3 (2.3MB) \| RealAudio: daily.rm (1.8MB)
10. "An Eye Over Autumn" From the 1978 recording THE BLUE MAN(Columbia) featuring the same crew from TIGHTROPE, and named for a Jean-Michel Folon painting. Lead Sheet and analysis, Steve Khan. MP3 file: eyeover.mp3 (2.6MB) \| RealAudio: eyeover.rm (2MB)
9. "Tightrope" Steve Khan original, the title track from his classic 1977 recording, TIGHTROPE(Columbia) featuring: the Brecker Bros., Steve Gadd, Will Lee, and Don Grolnick. Mini-Score and analysis, Steve Khan. MP3 file: tightrope.mp3 (2.3MB) \| RealAudio: tightrope.rm (1.7MB)
8. "Safe and Sound" Steve Khan original, as played on the Caribbean Jazz Project's CD NEW HORIZONS(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: safeandsound.mp3 (2.3MB) \| RealAudio: safeandsound.rm (1.8MB)
7. "Maluco" Another Steve Khan original from CJP's PARAÍSO(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: maluco.mp3 (1.8MB) \| RealAudio: maluco.rm (2MB)
6. "¡Cá-ni-mo!" Steve Khan original, as played on the Caribbean Jazz Project's PARAÍSO(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: canimo.mp3 (1.6MB) \| RealAudio: canimo.rm (1.7MB)
5. "El Tacaño" Steve Khan original, as played on the Caribbean Jazz Project's PARAÍSO(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: tacano.mp3 (2.4MB) \| RealAudio: tacano.rm (2MB)
4. "Charanga Sí, Sí" Steve Khan original as played on the Caribbean Jazz Project's NEW HORIZONS(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: charanga.mp3 (1.1MB)
3. "Descarga Khanalonious" Originally recorded in '94 on CROSSINGS(Verve) with Michael Brecker, Anthony Jackson, Dennis Chambers & Manolo Badrena. The tune was later recorded in '99 under the title of "Descarga Canelón" and appeared on the Caribbean Jazz Project release: NEW HORIZONS(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: descarga.mp3 (1.3MB) \| RealAudio: descarga.rm (1.2MB)
2. "Anhelante" Steve Khan's gorgeous ballad/bolero from the Steve Khan/Rob Mounsey recording, YOU ARE HERE(SIAM). And, don't miss reading the Khan/Mounsey Saga. Lead Sheet and analysis, Steve Khan. MP3 file: anhel.mp3 (1.74MB) \| RealAudio: anhel.rm (1.2MB)
1. "Got My Mental" Steve Khan original as played on his recording, GOT MY MENTAL(Evidence). Lead Sheet and analysis, Steve Khan. MP3 file: mental.mp3 (1.1MB) \| RealAudio: mental.rm (576k)
HOME \| KORNER 1

KHAN'S KORNER 2 is dedicated to the presentation of Steve's original lead sheets, mini-scores, and arrangements which span nearly 30 yrs. as a recording artist. As in the past, they will be presented with the corresponding sound clip, and an analysis, or remembrance, provided by Steve. It is hoped that this will help everyone on any number of levels, including your own eventual interpretations of these tunes. The sound clips will be in mp3 formats for the best quality sound at the smallest file size. We have greatly appreciated your response to these pages and will continue to do our best to bring such things to the site!!
59. "Have You Met Miss Jones?" Steve's Salsa-styled arrangement of this great Rodgers & Hart standard from BORROWED TIME(Tone Center) owes a great deal to the keyboard harmonies of Clare Fischer and the original trio recording by McCoy Tyner. Once again the presence of Randy Brecker's flügelhorn adds just the right touches throughout. Rob Mounsey's spirited and precise keyboard playing realizes Steve's harmonic dream. The 'sabor' is added by three of the great Latin giants: Rubén Rodríguez(5-string Elec. Bass), and the stellar percussion team of Marc Quiñones and Bobby Allende. Keyboard Lead Sheet; Guitar Lead Sheet; Bass Lead Sheet and analysis, Steve Khan. MP3 file: missjones.mp3 (1.9MB) \| missjones.rm (2MB)
58. "Penguin Village" The third offering from the MODERN TIMES(Polydor) "live" recording in Japan in 1982. The piece features Steve's forward looking chord voicings, with wonderful contributions from Anthony Jackson, Steve Jordan, and Manolo Badrena. As always, there's an explanation for this title. Lead Sheet and analysis, Steve Khan. MP3 file: penguinv.mp3 (2.5MB) \| RealAudio: penguinv.rm (2.6MB)
57. "Warm Blue Town" Using "Candles" as a model, this Weather Report influenced piece was also commissioned for Jean-Michel Folon's computer animated Tokyo Gas commercials for Japan. It appears as well on Steve's '87 Japan release, HELPING HAND(Polydor K.K.). Bill Evans contributes some beautiful soprano sax work. Lead Sheet and analysis, Steve Khan. MP3 file: warmblue.mp3 (2.4MB) \| warmblue.rm (1.2MB)
56. "Caribbean Fire Dance" This "live" version of Joe Henderson's classic tune features Steve alongside Anthony Jackson and Dennis Chambers, and contains a nearly 15-minute drum solo!!! It appears on the just released double CD, THE SUITCASE(Tone Center). The lead sheet shows how Steve reduced an arrangement, originally written for 3 horns, vibes, piano and bass to one guitar and one contrabass guitar. It's a great lesson in making the most out of what you have. Lead Sheet and analysis, Steve Khan. MP3 file: caribfiredance.mp3 (1.5MB) \| caribfiredance.rm (1.5MB)
55. "In a Star's Arms" Here is this year's X-MAS gift! This rubato ballad uses "The Blue Rose" as its model. Originally composed to be used as the score for one of Jean-Michel Folon's gorgeous computer animated commercials for Japan's Tokyo Gas. Not long after, it appeared on Steve's '87 "Best of" package for Japan, HELPING HAND(Polydor K.K.). It features Clifford Carter on keys and percussionist Café's beautiful plea for "peace and love." Lead Sheet and analysis, Steve Khan. MP3 file: starsarms.mp3 (2MB) \| starsarms.rm (1MB)
54. "City Suite Pt. II: Dream City" The second section of the Suite begins with a Steve Gadd drum solo over Don Grolnick's rock solid montuno. From there, one can hear the influences of the music of New York: the vibrant Latin/Salsa scene, a touch of Brazil, and, in those years, the infectious groove of Richard Tee and Stuff. It all appeared on Steve's '79 release, ARROWS(Columbia). Lead Sheet and analysis, Steve Khan. MP3 file: dreamcity.mp3 (1.8MB) \| dreamcity.rm (1.2MB)
53. "Face Value" The second original tune from BORROWED TIME(Tone Center) owes a great deal to the keyboard harmonies of Clare Fischer. Steve's Strat returns, after a long absence, to state the main melodies, while Randy Brecker's flügelhorn adds the right melodic touches in the [B] sections. The piece alternates between the bolero rhythms and a cha-cha-cha, and these subtle shifts are in the masterful hands of Rubén Rodríguez(Baby Bass), and the stellar percussion team of Marc Quiñones and Bobby Allende. Rob Mounsey's gorgeous keyboard playing acts as the 'glue' to everything. This piece seems to be the most popular tune on the recording. Lead Sheet and analysis, Steve Khan. MP3 file: facevalue.mp3 (1.8MB) \| facevalue.rm (1.2MB)
52. "El Faquir" Originally written for his composition class at U.C.L.A. in '69, and now appearing on Steve's just released BORROWED TIME(Tone Center) CD, this piece aspires to meld Jazz elements with Indian and Latin cultures, and all in 11/4. This musical adventure features the presence of tabla master, Badal Roy, alongside the great Bob Mintzer on bass clarinet. Lead Sheet and analysis, Steve Khan. MP3 file: faquir.mp3 (1.3MB) \| faquir.rm (944k)
51. "City Suite Pt. I: City Monsters" From the '79 release, ARROWS(Columbia), the first part of Steve's ambitious Suite features the super-precise horn phrasing of the Brecker Bros. and David Sanborn, which sits on a solid groove supplied by Don Grolnick, Will Lee, and Steve Gadd. Are these guys New York City's "monsters" from that time? Lead Sheet and analysis, Steve Khan. MP3 file: citymonsters.mp3 (1.7MB) \| citymonsters.rm (1.2MB)
50. "Mr. Butterfat" An inside look at Steve's first recorded composition, which appeared on David Sanborn's '75 debut recording, TAKING OFF(Warner Bros.). At the recording, Steve and Buzzy Feiten were side by side. There's a great story behind this tune too! Lead Sheet and analysis, Steve Khan. MP3 file: butterfat.mp3 (1.4MB) \| butterfat.rm (959k)
49. "Some Sharks" If by now you don't understand what makes Anthony Jackson so special, just listen to this track!!! From Steve's '83 recording, CASA LOCO(Antilles), this performance spotlights everything that is brilliant about this most unique musician. And, if that's not enough, all the drummers should be listening to Steve Jordan!!! Lead Sheet and analysis, Steve Khan. MP3 file: sharks.mp3 (3.3MB) \| sharks.rm (1.7MB)
48. "Some Down Time" Fans of the Brecker Bros. Band horn sound will love this early fusion/funk tune from Steve's '78 release, THE BLUE MAN(Columbia). Be sure to examine letters [C]-[C2] for the super-tight phrasing of this great, great mini-horn section. Lead Sheet and analysis, Steve Khan. MP3 file: downtime.mp3 (2.1MB) \| downtime.rm (1.6MB)
47. "Calling" An original ballad, from the '79 release, ARROWS(Columbia) features Steve on his Strat playing a beautiful melody with Hendrix style inflections which alternate with David Sanborn's poignant alto sax. The performance includes the stellar accompaniment of Don Grolnick, and Steve Gadd's brushwork. Lead Sheet and analysis, Steve Khan. MP3 file: calling.mp3 (2.9MB) \| calling.rm (2.2MB)
46. "Silent Screen" Steve's original ballad, from the '89 release, PUBLIC ACCESS(GRP) features some spectacular lines from Anthony Jackson, which were transcribed and added to this version of the original lead sheet. It is an opportunity to look inside the harmonic and rhythmic imagination of this masterful bassist. Lead Sheet and analysis, Steve Khan. MP3 file: silents.mp3 (3.1MB) \| silents.rm (2.4MB)
45. "Kamarica" The last of the extended song form tunes from Steve's '89 release, PUBLIC ACCESS(GRP), offers yet another wild mixture of elements. This time, Manolo Badrena's vocals offer chants derived from African dialects, and a bridge in Spanish. When the stellar rhythm section work of Anthony Jackson and Dave Weckl is added in, it becomes an irresistible brew. Lead Sheet and analysis, Steve Khan. MP3 file: kamarica.mp3 (4MB) \| kamarica.rm (3MB)
44. "Botero People" With a nod to the Colombian artist Fernando Botero, this piece, from the '89 release, PUBLIC ACCESS(GRP), offers a mixture of elements, including Manolo Badrena's Brazilian-inflected vocalese. The solo section offers tremendous interactive playing from both Anthony Jackson and Dave Weckl. Lead Sheet and analysis, Steve Khan. MP3 file: boterop.mp3 (3MB) \| boterop.rm (2.3MB)
43. "Mama Chóla" One of the most memorable to the extended song form tunes from the '89 release, PUBLIC ACCESS(GRP). In addition to Manolo Badrena's impassioned vocals, the piece is highlighted by one of Dave Weckl's most spectacular drum solos. This special presentation also features a never before heard soundclip of Steve Jordan's original drum groove for the [I]ntro section. Lead Sheet and analysis, Steve Khan. MP3 file: chola.mp3 (3.6MB) \| chola.rm (2.8MB)
42. "Cosecha lo que has sembrado" The incredible percussion jam from THE GREEN FIELD(Tone Center), which was modeled after Tito Puente's "Tito on Timbales" and then turned into a custom fit for the percussive exploits of Roberto Quintero, Ralph Irizarry, and Jack DeJohnette. The double-time finale features Steve's psychedelic guitar "Big Band." Lead Sheet and analysis, Steve Khan. MP3 file: cosecha.mp3 (1.2MB) \| cosecha.rm (906k)
41. "Fist in Glove" Steve's twist on a blues in 3/4 becomes the 3rd lead sheet to be shared here from THE GREEN FIELD(Tone Center). Bearing the influence of organists Larry Young and Larry Goldings, the piece offers interesting solo formats for the guitar, John Patitucci's bass, and later for Jack DeJohnette. Lead Sheet and analysis, Steve Khan. MP3 file: fisting.mp3 (1.4MB) \| fisting.rm (1MB)
40. "The Green Field(El Prado Verde)" The lead sheet to the title track from THE GREEN FIELD(Tone Center), offers a unique opportunity to see how what was written somehow became an 18-minute epic with the propulsion of Jack DeJohnette, and the interactive musicality of John Patitucci and Manolo Badrena. Lead Sheet and analysis, Steve Khan. MP3 file: greenfield.mp3 (4.3MB) \| greenfield.rm (2.2MB)
39. "El Viñón" Steve's tribute to Elvin Jones is the first of his four original tunes to be presented from his spectacular 2006 release, THE GREEN FIELD(Tone Center). The track features outstanding performances by John Patitucci and Jack DeJohnette. Lead Sheet and analysis, Steve Khan. MP3 file: elvinon.mp3 (1.7MB) \| elvinon.rm (1.2MB)
38. "Candles" One of Steve's earliest originals becomes an off-handed tribute to Jimi Hendrix. This version appears on the '79 recording ARROWS(Columbia), and features some rare Michael Brecker on soprano sax. Lead Sheet and analysis, Steve Khan. MP3 file: candles.mp3 (2.4MB) \| candles.rm (1.7MB)
37. "Daily Valley" The "Daily" series continues. This last tune appeared on the '78 recording THE BLUE MAN(Columbia). Like "Daily Village," this composition was designed to feature Steve's acoustic steel-string set against the beauty of Don Grolnick's Fender Rhodes style. The mini-score serves as a great view into this early Fusion ballad. Lead Sheet and analysis, Steve Khan. MP3 file: dailyvalley.mp3 (1.8MB) \| dailyvalley.rm (1.3MB)
36. "The Little Ones" A brilliant composition by Randy Brecker, which appeared on Steve's '78 recording THE BLUE MAN(Columbia), is featured in mini-score form and showcases Randy's unique harmonies, quirky melodies, as well as the signature voicings for the "World's Greatest Mini-horn Section" of Randy, Michael Brecker, and David Sanborn. A great opportuniy to study the work of one of our most special composers. Lead Sheet and analysis, Steve Khan. MP3 file: littleones.mp3 (2.2MB) \| littleones.rm (1.5MB)
35. "The Suitcase" A most unique group composition which features the virtuosity of Anthony Jackson and his contrabass guitar, and appeared on Steve's '83 recording, CASA LOCO(Antilles). A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: suitcase.mp3 (2.1MB) \| suitcase.rm (1.4MB)
34. "Guy Lafleur" One of the signature tunes from the '81 EYEWITNESS(Antilles) recording. The analysis highlights the unique concepts of both Anthony Jackson and Steve Jordan. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: guy.mp3 (4MB) \| RealAudio: guy.rm (2MB)
33. "Blades" A second offering from the MODERN TIMES(Polydor) "live" recording featuring exciting unison guitar & bass passages, anchored by Steve Jordan's exceptionally creative and propulsive drumming. A new "live" version features Steve alongside Anthony Jackson, and the spectacularly powerful Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: blades.mp3 (4MB) \| RealAudio: blades.rm (2MB)
32. "The Blue Rose" An inside look at Steve's spectacular ballad from his '87 recording with the brilliant keyboardist Rob Mounsey, LOCAL COLOR(Denon). Free composed and played totally rubato, it serves as an alternative to the standard approach to playing a ballad. Lead Sheet and analysis, Steve Khan. MP3 file: bluerose.mp3 (1.4MB) \| RealAudio: bluerose.rm (723k)
31. "Some Arrows" The 'almost' title song from the '79 recording, ARROWS(Columbia) is a classic fusion shuffle anchored by the relentless "caveman-esque" drumming of the great Rick Marotta. Lead Sheet and analysis, Steve Khan. MP3 file: somearrows.mp3 (2MB) \| RealAudio: somearrows.rm (1MB)
30. "The Blue Man" The title song from the '78 recording, THE BLUE MAN(Columbia) bears the undeniable influence of early Weather Report, and represents one form of the "fusion" of Rock and the then new electric Jazz. Lead Sheet and analysis, Steve Khan. MP3 file: blueman.mp3 (3MB) \| RealAudio: blueman.rm (782k)
29. "Where's Mumphrey?" Finally, the mysteries of this most enigmatic of compositions are revealed!!! In the analysis of the signature tune from EYEWITNESS(Antilles), Steve attempts to explain why the perception of "beat 1" is so elusive. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: mumphrey.mp3 (828k) \| RealAudio: mumphrey.rm (217k)
28. "Some Punk Funk" Steve offers his original mini-score to this very popular, and very simple tune from TIGHTROPE(Columbia). It is part of a 2-fer, in conjunction with presenting Michael Brecker's incredible tenor sax solo @ Korner 1. Lead Sheet and analysis, Steve Khan. MP3 clips: Solo \| Lead Sheet RealMedia clips: Solo \| Lead sheet
27. "Mambosa" Steve presents his original mini-score from PUBLIC ACCESS(GRP) which is the only tune Eyewitness ever recorded with a keyboard. The analysis shares how the track was prepared so that the group could play along 'live' with it and maintain its identity, and the all important sense of space. Lead Sheet and analysis, Steve Khan. MP3 file: mambosa.mp3 (3.5 MB) \| RealAudio: mambosa.rm (930k)
26. "Sisé" Steve's original lead sheet for this very popular Eyewitness 'group composition' from PUBLIC ACCESS(GRP), expands on the extended song form explored on "Casa Loco." Manolo Badrena's unique lyrics and vocal style contribute to a rare blend of Latin music, R&B, funk, with the spirit of jazz improvisation. Lead Sheet and analysis, Steve Khan. MP3 file: sise.mp3 (3.5MB) \| RealAudio: sise.rm (930k)
25. "Eyewitness" Here's an opportunity to view Steve's newly written lead sheet for the title track from, EYEWITNESS(Antilles). In his analysis, Steve sings the praises of bassist, Anthony Jackson and, explains how this piece was designed as a vehicle for a 'free ballad' improvisation. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: eyewitness.mp3 (2.8MB) \| RealAudio: eyewitness.rm (727k)
24. "Butane Elvin" The brilliance, and unique swing, of drummer, Elvin Jones, is the obvious inspiration for Steve's composition which appeared on his '89 CD, PUBLIC ACCESS(GRP). The recording featured remarkable performances by Anthony Jackson; Dave Weckl; and Manolo Badrena. Lead Sheet and analysis, Steve Khan. MP3 file: butane.mp3 (2.5MB) \| RealAudio: butane.rm (2MB)
23. "Don't Worry Baby" Steve pays tribute to his love for Latin music and the keyboard sonorities of Clare Fischer as he shares his lead sheets for his contribution of "Don't Worry Baby," to the '97 recording, WOULDN'T IT BE NICE(Blue Note/Contemporary), which was a tribute to the music of Beach Boy, Brian Wilson. For keyboard players and guitar players alike this is a most special look at the rich possibilities of harmony. Highly recommended!!! Lead Sheet and analysis, Steve Khan. MP3 file: dontworry.mp3 (3.6MB) \| RealAudio: dontworry.rm (927k)
22. "I Have Dreamed" Steve's inventive interpretation of the Rodgers & Hammerstein classic, "I Have Dreamed" which appears on his '96 recording, GOT MY MENTAL(Evidence), has no models as he demonstrates that you can approach a 'standard' by opening-up various sections as you go along, making the performance a one-time only journey through the tune. Joined by John Patitucci, Jack DeJohnette, and Café, the performance is very special, and Steve's analysis offers a perspective which only he can give. Lead Sheet and analysis, Steve Khan. MP3 file: ihavedreamed.mp3 (1.9MB) \| RealAudio: ihavedreamed.rm (499k)
21. "Casa Loco" Perhaps "Casa Loco," from the '83 recording, CASA LOCO(Antilles), broke the mold, where song form was concerned, for Eyewitness as, along with bandmates Anthony Jackson; Steve Jordan; and Manolo Badrena, the group extended the possibilities it had long been exploring. This newly revised lead sheet provides all the insights one could ask for. Lead Sheet and analysis, Steve Khan. MP3 file: casaloco.mp3 (3.6 MB) \| RealAudio: casaloco.rm (473k)
20. "Buddy System" A unique look at Steve's "rhythm changes" tune which first appeared on his '91 recording, LET'S CALL THIS(Mesa/Bluemoon), and was then recorded, using the title, "Brown Zone," by the Yellowjackets on their GREENHOUSE(GRP) CD . Here you can enjoy both interpretations and learn from Steve's analysis. Lead Sheet and analysis, Steve Khan. Steve Khan: buddy_system.mp3 (2.8MB) \| Yellowjackets: brown_zone.mp3 (3.5MB)
19. "What I'm Said" From the '93 recording CROSSINGS(Verve), Eyewitness is now anchored by Dennis Chambers on drums and he joins with Steve, Anthony, and Manolo for a wicked shuffle groove on what is arguably Steve's most beautifully recorded CD. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: what.mp3 (2.8MB) \| RealAudio: what.rm (2.8MB)
18. "Within You Without You"/"Blue Jay Way"(George Harrison) Steve salutes George Harrison, on what would have been his 60th birthday(February 24th, 1943). This medley features Peter Erskine, Marc Johnson, and Brazilian percussionist Nana Vasconcelos, and appears on a 1993 Guitar Tribute to the Beatles titled: COME TOGETHER(NYC Records). Lead Sheet and analysis, Steve Khan. MP3 file: gh.mp3 (10.8MB) \| RealAudio: gh.rm (3.5MB)
17. "The Blue Shadow" From a 1982 recording, MODERN TIMES(Polydor), recorded live at the PIT INN in Tokyo. (Also worth noting, though it's not on this sound clip, if you have this CD you've got to check out the Anthony Jackson/Steve Jordan crazy 2-minute bass/drum dialogue for the Intro. It's out there, man!) Lead Sheet and analysis, Steve Khan. MP3 file: bshadow.mp3 (7MB) \| RealAudio: bshadow.rm (1.5MB)
16. "Blue Zone 41" From the 1989 Eyewitness recording, PUBLIC ACCESS(GRP), which has been labeled by some as "one of the greatest fusion records ever made." Now, a new "live" version, featuring Steve alongside Anthony Jackson and Dennis Chambers, appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: bluezone41.mp3 (1.74MB) \| RealAudio: bluezone41.rm (1.2MB)
15. "Dr. Slump" The Webmaster(that's me) loves this tune and so did everyone where I work, whether they'd heard of Steve Khan or not. From the quartet's 1981 debut EYEWITNESS(Antilles), "Dr. Slump" features Steve playing a Strat, instead of the ES-335. Steve's analysis is particularly insightful. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: drslump.mp3 (7.4MB) \| RealAudio: drslump.rm (2.3MB)
14. "Star Chamber" This Herbie Hancock influenced tune from TIGHTROPE(Columbia) features an early glimpse of Steve using his steel string acoustic as a solo voice, and also is a rare chance to hear David Sanborn playing soprano sax. Lead Sheet and analysis, Steve Khan. MP3 clips: Solo (1.9MB) \| Lead Sheet (1.9MB) \|\| RealMedia clips: Solo (1.5MB) \| Lead sheet (1.5MB)
13. "Uncle Roy" From CASA LOCO(Antilles), a fan favorite featuring the superb and sometimes ominous talents of Manolo Badrena and Anthony Jackson within the context of Eyewitness. A new "live" version features Steve alongside Anthony Jackson and Dennis Chambers, and appears on the 2008 2-CD set, THE SUITCASE(Tone Center). Lead Sheet and analysis, Steve Khan. MP3 file: long (4MB) \| short (2MB)
12. "Daily Bulls" Also from THE BLUE MAN(Columbia), one of his most popular tunes, at least amongst fans... Lead Sheet and analysis, Steve Khan. MP3 file: bulls.mp3 (2.3MB)
11. "Daily Village" From the 1979 recording ARROWS(Columbia), this posting makes one each from Steve's 3 earliest recordings as a leader. Lead Sheet and analysis, Steve Khan. MP3 file: daily.mp3 (2.3MB) \| RealAudio: daily.rm (1.8MB)
10. "An Eye Over Autumn" From the 1978 recording THE BLUE MAN(Columbia) featuring the same crew from TIGHTROPE, and named for a Jean-Michel Folon painting. Lead Sheet and analysis, Steve Khan. MP3 file: eyeover.mp3 (2.6MB) \| RealAudio: eyeover.rm (2MB)
9. "Tightrope" Steve Khan original, the title track from his classic 1977 recording, TIGHTROPE(Columbia) featuring: the Brecker Bros., Steve Gadd, Will Lee, and Don Grolnick. Mini-Score and analysis, Steve Khan. MP3 file: tightrope.mp3 (2.3MB) \| RealAudio: tightrope.rm (1.7MB)
8. "Safe and Sound" Steve Khan original, as played on the Caribbean Jazz Project's CD NEW HORIZONS(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: safeandsound.mp3 (2.3MB) \| RealAudio: safeandsound.rm (1.8MB)
7. "Maluco" Another Steve Khan original from CJP's PARAÍSO(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: maluco.mp3 (1.8MB) \| RealAudio: maluco.rm (2MB)
6. "¡Cá-ni-mo!" Steve Khan original, as played on the Caribbean Jazz Project's PARAÍSO(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: canimo.mp3 (1.6MB) \| RealAudio: canimo.rm (1.7MB)
5. "El Tacaño" Steve Khan original, as played on the Caribbean Jazz Project's PARAÍSO(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: tacano.mp3 (2.4MB) \| RealAudio: tacano.rm (2MB)
4. "Charanga Sí, Sí" Steve Khan original as played on the Caribbean Jazz Project's NEW HORIZONS(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: charanga.mp3 (1.1MB)
3. "Descarga Khanalonious" Originally recorded in '94 on CROSSINGS(Verve) with Michael Brecker, Anthony Jackson, Dennis Chambers & Manolo Badrena. The tune was later recorded in '99 under the title of "Descarga Canelón" and appeared on the Caribbean Jazz Project release: NEW HORIZONS(Concord Picante). Lead Sheet and analysis, Steve Khan. MP3 file: descarga.mp3 (1.3MB) \| RealAudio: descarga.rm (1.2MB)
2. "Anhelante" Steve Khan's gorgeous ballad/bolero from the Steve Khan/Rob Mounsey recording, YOU ARE HERE(SIAM). And, don't miss reading the Khan/Mounsey Saga. Lead Sheet and analysis, Steve Khan. MP3 file: anhel.mp3 (1.74MB) \| RealAudio: anhel.rm (1.2MB)
1. "Got My Mental" Steve Khan original as played on his recording, GOT MY MENTAL(Evidence). Lead Sheet and analysis, Steve Khan. MP3 file: mental.mp3 (1.1MB) \| RealAudio: mental.rm (576k)
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